The Infamous Stringdusters – Tickets – 9:30 Club – Washington, DC – April 5th, 2019

The Infamous Stringdusters

All Good Presents...

The Infamous Stringdusters

Jon Stickley Trio

Fri, April 5, 2019

Doors: 7:00 pm / Show: 7:00 pm

9:30 Club

Washington, DC

$25

The Infamous Stringdusters
The Infamous Stringdusters

"With a nod to the past and a firm foot down on the gas toward the future, the 'Dusters... don't leave bluegrass behind; they're stretching it from within." - New York Times
"...these stellar bluegrass players are pushing the music forward." - David Dye/World Cafe

"With a nod to the past and a firm foot down on the gas toward the future, the 'Dusters... don't leave bluegrass behind; they're stretching it from within." - New York Times
"...these stellar bluegrass players are pushing the music forward." - David Dye/World Cafe

The Infamous Stringdusters rise to new heights on their ninth full-length record Rise Sun. For the album, the GRAMMY® Award-winning quintet—Andy Falco [guitar], Chris Pandolfi [banjo], Andy Hall [dobro], Jeremy Garrett [fiddle], and Travis Book [double bass]—expanded their signature sound by perfecting their seamless fusion of All-American-bluegrass and rock.

Once again sail into uncharted territory moored only by their expressive patchwork of All-American bluegrass threaded together with strands of rock, jazz, funk, country, old-time, and more.

As they approached this latest body of work, the group’s ambition matched their outsized creative curiosity.

“Rise Sun was sparked by the feeling of wanting something better for the world—more love, more awareness, and more compassion,” says Hall. “It’s a message of taking care of each other, our planet, and ourselves. We all shared this feeling as evidenced by the songs we brought to the project. It’s the feeling of a rising sun as opposed to a dark night. Sometimes a message of hope is less popular than one of despair, but it’s much-needed nevertheless.”

It’s also a message that 13 years, eight studio projects, and nearly 1,000 shows prepared the boys to properly present.

The Infamous Stringdusters stand out as the rare group who whose dynamic musicianship can be showcased with contemporary artists on The Late Show with Stephen Colbert one night and jamming on the legendary Red Rocks Amphitheatre alongside The Grateful Dead’s Phil Lesh the next.

Engendering a sense of impassioned fandom, they band have attracted a faithful audience that continues to grow. Moreover, their powerful music and performances paved the way for a GRAMMY® Award win in the category of “Best Bluegrass Album” for 2017’s Laws of Gravity.

When it came time to record what would become Rise Sun, they pushed themselves to evolve once more.

“Rise Sun is the latest chapter in the progression of our sound,” says Pandolfi. “It’s been a long arc that includes evolution on all fronts—writing, arranging, performing, and maybe most importantly, growing as humans who have more to say as the journey rolls on. New albums are the time when we write and introduce our strongest original material. On our last release Laws of Gravity, we really started to hit our stride with recording live in the studio. Rise Sun is another big step in that direction.”
For the first time, the band chose the song order before actually recording. Additionally, they maintained that order throughout the process, recording the songs in sequence which resulted in a natural flow. This choice, “gives it the feeling of a story as you listen down,” says Hall. It represented a moment of collective confidence.

“We self-produced the last album, so we felt validated in a sense that our instincts were sound,” adds Book. “We came into this one with some confidence. Any doubts about our band or our mission had dissipated. What remained was a deep sense of purpose and love.”

“The GRAMMY® put some high-octane gas in our tanks as well,” grins Garrett. “We also wanted to rise to the challenge of making a follow-up project worthy of what we had done in the past.”
The Infamous Stringdusters introduce the album with the handclap-driven gallop of the title track “Rise Sun.” High energy banjo powers an uplifting and undeniable refrain that immediately shines.

“It’s a hopeful anthem,” Book elaborates. “The sun is rising, and the light is overtaking the darkness. The idea for the melody, inspired by Southern gospel music, came to me driving out of the mountains into Georgia from my home in North Carolina. When we wrote it, I was feeling a deep sense of hope for humanity that the sun will rise again.”

Then, there’s the hummable instrumental “Cloud Valley,” which exudes a sci-fi spirit of wonder via sonic intricacy. “Science fiction can transport you to a place of deep imagination,” says Pandolfi. “We wanted to generate a soundscape for an imaginary mystical setting. It really came alive when we all got together.”
Everything culminates on a heartfelt send-off with “Truth and Love.” Its delicate musical backdrop transmits an important statement for The Infamous Stringdusters.

“I wrote that a few years ago and brought it back now, because I feel like the message has become more relevant today,” Falco states. “The world is polarized. Everything is so extreme, and partisan politics have become a culture war. The song is a reminder of what’s truly important in life—seek the truth, find your love, look up high, and aim above. Life is short, so keep your eye on what’s important while you’re here.”

In the end, that’s precisely what The Infamous Stringdusters do on Rise Sun as they boldly welcome yet another new day, new phase, and new chapter.

“We’re a brotherhood, but that family extends beyond the band even,” Falco leaves off. “Our music gives us an opportunity to bring some light in a world that can be dark sometimes.”
Jon Stickley Trio
Jon Stickley Trio


Jon Stickley Trio is a genre-defying and cinematic instrumental trio, who’s deep grooves, innovative flatpicking, and sultry-spacy violin moves the listener’s head, heart, and feet. “It’s not your father’s acoustic-guitar music—although Stickley’s pop showed him his first chords when he was 12 years old. Instead, Stickley’s Martin churns out a mixture of bluegrass, Chuck Berry, metal, prog, grunge, and assorted other genres—all thoroughly integrated into a personal style,” writes Guitar Player Magazine.
Premier Guitar says, “Stickley’s trio… is not a traditional bluegrass group by any means… they are just nimble and ambitious enough to navigate EDM-style breakbeats as effortlessly as the old timey standard ‘Blackberry Blossom.’”
“Stickley is a super-resourceful acoustic guitarist who uses the instrument in many surprising ways and whose timing is just flawless. Fiddler Lyndsay Pruettputs deep thought into her flowing solos, plus she adds little flourishes and sudden stops that elevate the music,” proclaims Nashville’s Music City Roots’ Craig Havighurst.
Jon Stickley Trio announces a change in lineup beginning in January 2018 with new drummer, Hunter Deacon, who is both classically trained and boasts heavy jazz influences. Hailing from the ever-hip Knoxville, Tennessee, Hunter studied with drummer Keith Brown and received a BM in Studio Music and Jazz from the University of Tennessee. Deacon then went on to complete a six month residency at a jazz club in Hangzhou, China where he performed seven nights a week. Since his return, he’s played with Scott Miller and the Commonwealth, toured the country with Sam Lewis, and performs with guitarist Mike Baggetta.
Stickley says about the seemingly sudden lineup change, “we’re really excited to add Hunter’s vibe to the mix, his creativity and willingness to experiment were two things that drew us to him, and Lyndsay and I were quickly surprised and inspired by what he’ll bring to the table.”
With inspiration ranging from from Green Day to Duran Duran to Tony Rice to Nirvana, Grateful Dead, David Grisman and beyond, the Trio is making waves with their unique sound. Along with releasing two full length albums and one EP in the past few years, the Trio has zig-zagged the nation, playing over 120 dates in 2017 alone. They are road tested and band geek approved!
Dave King (of The Bad Plus) joined forces with Jon Stickley Trio to produce 2017’s Maybe Believe and 2015’s Lost At Last (which The New York Times called “both respectful and free”) in the band’s hometown of Asheville, NC at the esteemed Echo Mountain Recording Studio. The Trio slipped a self-produced 5-track EP, Triangular, into the mix in December of 2016.
“In a time when a lot of instrumental music feels more like math than art, Jon Stickley Trio reminds us of the pure joy that can be created and shared through music,” says Greensky Bluegrass’ Anders Beck.
Stickley says, “The Trio feels fresher and hotter than ever, we’ve hit our stride in terms of creating tunes that are uniquely us and that’s a really exciting place to be musically. Not to mention we are so stoked to get back to many of our favorite festivals and clubs, and even more excited to play some the ones we’ve always dreamed of. 2018 will, without a doubt, be our best year yet!”
Venue Information:
9:30 Club
815 V St. NW
Washington, DC, 20001
http://930.com