Thievery Corporation – Tickets – 9:30 Club – Washington, DC – December 14th, 2018

Thievery Corporation

First Night Sold Out! Second Night Added!

Thievery Corporation

The Suffers

Fri, December 14, 2018

Doors: 8:00 pm / Show: 8:00 pm

9:30 Club

Washington, DC

Thievery Corporation - (Set time: 10:15 PM)
Thievery Corporation

How many highly successful musical artists do you know that have thrived for 20 years without a radio hit, a big budget video, or major label backing? Moreover, have managed to do high-profile TV appearances, own and operate their own independent label since day one, sell several million albums and continue to expand their fan base across the globe each year. They’ve collaborated with such uniquely famed artists David Byrne, Perry Farrell, The Flaming Lips, Anushka Shankar, Femi Kuti, Seu Jorge, Bebel Gilberto, and been featured on major film soundtracks such as Garden State. They’ve headlined top music festivals, such as Coachella and Lollapalooza, and have influenced a whole generation of electronic producers and DJs. If you add these elements together, you can arrive at only one conclusion: Rob Garza and Eric Hilton, aka: Thievery Corporation.

Since 1996, Garza and Hilton have released 8 studio LP’s, 2 remix collections, 2 DJ mix albums, and continued to perform live on 5 continents. Along their unique musical journey, they have virtually defined an entire sub-genre of electronic music. And now they’re ready to embark on yet another journey with the release of their new album, “The Temple of I & I.”

Longtime fans of Thievery Corporation are keenly aware that the duo has been heavily influenced by Jamaican music. Since their debut LP, “Sounds from the Thievery Hi-Fi,” the production team has applied a uniquely diverse dub ethos and aesthetic to their music. After paying tribute to bossa nova and easy listening inspirations on their 2014 release, “Saudade,” Hilton and Garza set their sights on the culturally rich and warm musical environs of Port Antonio, Jamaica. There, they dove even deeper into their singular exploration of classic Jamaican sounds for the “The Temple of I & I.” “The innovation, spirit and power of Jamaican music is a constant source of creative manna for us,” explains Hilton. “On the musical map, Jamaica is an entire continent. We could have spent a year there, soaking up the vibes in the air, and constantly being inspired by the strength and resilience of the people.”

Their journey began on a cold February morning in 2015 when Garza, Hilton, and their DC-based rhythm section touched down in Kingston and ventured across the Blue Mountains to what Jamaicans call the “real Jamaica” . Port Antonio. Setting up camp at Geejam Studios in San San, they felt immediately connected to their surroundings as they began recording just steps from the turquoise waves crashing below. As the Thieves played through day and night, heads poked through studio doors as curious locals seemed intrigued by such authentic sounds. “People couldn’t believe Robbie Myers, our guitarist, wasn’t Jamaican,” laughs Hilton. “I think they’re used to people coming down from London or LA to record rock or pop records and they were amazed we had such a handle on their sound. It was beyond gratifying, and high-grade ganja and Appleton rum started showing up on the reg.”

After a week of ’round-the- clock sessions, Thievery Corporation brought the Geejam session tapes back to their lab at Montserrat House Studios in DC. From there, the mission continued with months of vocal, horn and editing sessions. Familiar voices appear, including Notch Howell, who had performed “The Richest Man in Babylon” and “Amerimacka” on previous records. Hilton calls him, “possibly the best male tenor we know.” Other collaborators included Mr. Lif, Puma Ptah, Lou Lou, Zeebo and Elin, who are all known by the Thievery audience as key members of their ensemble, both from past recordings and their live shows.

Also figuring prominently in those sessions was a Thievery Corporation newcomer; Racquel Jones from Kingston, Jamaica. Garza and Hilton had met Racquel on their first trip to Port Antonio, where she played some demos for them at Geejam that used Thievery Corporation as a backing track, and which sounded like a perfect match to them. “We’d been waiting years to find a conscious, brilliant, female Jamaican singer and MC,” Hilton explains. As a model and former Miss Jamaica contestant, one would not expect the pure lyrical fire and tough delivery that comes out of her on tracks like “Letter to the Editor” and “Road Block.” “It’s impressive,” says Hilton. Few musical artists are as diverse as Thievery Corporation, moving from space rock, hip-hop, Indian trip-hop, dub, French torch songs, and shoe-gazer blissfulness with remarkable cohesive ease. Boundaries and following trends have never been part of Garza and Hilton’s agenda.

Explains Rob Garza, “We’ve never been concerned with fitting into the ‘music industry.’ We started making music in the liquor room of DC’s Eighteenth Street Lounge with random bits of music gear among boxes of spirits. Approaching our music as a production duo has allowed us to never feel limited to one particular sound and traverse many fascinating musical landscapes.”

In great anticipation of this exciting new release, and in reflection of an astonishing two decades together, one may be prompted to ask what has been the magic formula behind Thievery Corporation’s great success and what does the future hold from here? Perhaps the answer can be found in Rob Garza’s concluding thoughts: “What inspires us to continue to create this genre of sound is the broad spectrum of collaborators and audience members it continues to draw. We have been extremely privileged to work with artists of all cultural, social and political backgrounds, and our fans display even greater diversity and age differences. The people who have come together through Thievery Corporation are as much an accomplishment as the music we’ve produced to date and will continue to produce in the coming years.”
The Suffers - (Set time: 9:00 PM)
The Suffers

""They're the sort of neo-retro group you never knew music was so badly missing."- Spin Magazine

There is a contagious and combustible energy every time the eight-piece wonder-band The Suffers steps on the scene. NPR's Bob Boilen attributes the band's allure to their "Soul, straight from horn to heart." He adds, "This band is on fire when it's in front of an audience...but the intensity of their shows are also captured in the studio." Following The Suffers' electrifying late night TV debut on Letterman in 2015, David Letterman exclaimed, "If you can't do this, get out of the business!" There is something undeniable about The Suffers (whose name is a reference to the 1978 Jamaican film Rockers starring Leroy "Horsemouth" Wallace, Jacob Miller and Burning Spear, among others), that instantly hits home with their audiences. "We make music for all people," says lead vocalist Kam Franklin. "At this point, we've played all over the world and one thing is certain - if the music is good, the people will enjoy it." Since 2011, the H-Town heroes have been on a steady grind and have no plans of stopping. It seems the secret to their success is simple. Keyboardist Patrick Kelly confides, "There is a universal groove in the music that we play," while bass guitarist Adam Castaneda adds, "I don't think any of us are trying to impress anyone with our technical abilities, we just want to make them dance."

Shanachie Entertainment will release The Suffers' highly anticipated label debut Everything Here on July 13, 2018. Guitarist Kevin Bernier says, "Everything Here, as a whole, explores the many aspects of who we are as people through songs. We've had crushes on people, we've had our hearts broken, and we've moved through all the difficult times so that we can experience the joyful moments." The Suffers have got everything you need and there's no need to look further - a heaping dose of soul, a dash of reggae, a splash of jazz, a pinch of salsa, a hint of rock 'n' roll and a dollop of hip hop and funk - and that is just a few ingredients simmering inside their magical Gulf Coast soul. Percussionist Jose Luna says, "The glue that holds us together is our experience. We have all played with so many bands and musicians through the years that we have learned how not to step on each others toes."

Everything Here, a riveting collection of 15 originals that gives props to Houston (there are even cameos from Houston rappers Paul Wall and Bun B), explores the many sides of love, celebrates the virtues of individuality, reminds us of the destruction of Harvey and resilience of the human spirit and declares love for their mothers. All of these themes coalesce into one soulful soundtrack. The band co-produced the album with John Allen Stephens and Zeke Listenbee co-produced on several tracks. Trombonist Michael Razo explains, "One of our goals was to have the songs on the album flow or tie into each other. Like creating an album where you just press play and let it go without having to skip to the next song."

"The Suffers are a contemporary version of the great R&B/funk bands of 70s and 80s...Rufus, Earth, Wind & Fire, Kool & The Gang, with a powerful lead vocalist in Kam Franklin and spot-on musicianship that is all too rare these days," says Shanachie Entertainment General Manager, Randall Grass. "They've done a great job of building a base on their own and we at Shanachie are looking forward to taking them to the next level." The Suffers’ drive coupled with their can't lose attitude and serious chops have taken them from their beloved Houston to the world stage (they are the first band to break nationally out of Houston in a long time). Lead singer Kam Franklin has the distinction of being a spokesperson for Houston as she has been tapped by the city to appear in a national tourism advertisement. “It means a lot to me that the city would trust me in such a grand way to represent them,” shares the dynamic singer/songwriter. “Houston has played a huge part in making me who I am and introducing our music to the masses, and for that, we are forever grateful.” The Suffers have played sold out shows in Japan and Latin America, turned out audiences at the Newport Folk Festival and Afropunk Festival and made believers of just about anyone who has experienced their live shows. "We're a testament to teamwork and camaraderie resulting in things working out even when the odds are against a positive outcome," says drummer Nick Zamora. "The wonderful thing about music is that it is ultimate universal communication," reflects trumpeter Jon Durbin.

The Suffers exploded onto the scene in 2015 with their dazzling EP Make Some Room, which was followed by their critically heralded self-titled debut in 2016. The highly anticipated Everything Here is the band’s most bold statement yet. Nick Zamora shares, “We were nervous because we didn’t know how to write an album while devoting so much time to touring and keeping our personal lives together at the same time. We started doing it when we could; on the road, at home, finding inspiration here and there. We wrote about our post-9 to 5 epiphanies, relationships and music that just felt good.” As the album began to morph into creation the band trusted their vision. “I think that the idea has always been to be as honest as we can,” says Patrick Kelly. Kam Franklin adds, “Our hope is that our fans walk away feeling empowered, resilient, and inspired to live a better life.”

Everything Here opens ceremoniously with a smooth and fun-loving head-nod to Houston. Paul Wall jumps on the intro as the background vocals sing, “It might not be that pretty but it looks real good to me. It might not be your favorite city but it’s really got a hold on me.” Kam Franklin says, “Not only does Paul Wall serve as an unofficial ambassador for the city, he is a hard working artist that brought this song the life we thought it was missing!” The effervescently playful “I Think I Love You” follows with blustery horns and bluesy vocals. The song chronicles the moment when the universe throws you a curveball in the way of a new and unexpected love interest. Franklin shares, “This song is about embracing that confidence that comes with not needing to depend on a lover, while still being open to the possibilities of new romance.” “Do Whatever,” the album’s second single, is a song the band nurtured for two years before they finally recorded it. During this evolution, it has come to stand as a sort of anthem for them on living your life on your own terms. It opens with soul-stirring horns, thumping bass lines and Kam laying down the law singing, "Full on disclosure, I'm not here for exposure. I came to have a good time so let me shine...Do whatever feels right, all night, alright, alright!" The driving rhythms and hip-hop tinged “The One About Sace” has some fun chronicling the journey of getting to know someone. With references to Nas and the film “The Five Heartbeats,” Kam asks questions to get to know her love interest better. The hopping Rhodes, skipping melody and fabulous orchestration on “All I Want To Do” reminds us of the virtues of following your heart. The song, which Nick Zamora penned while still in high school, showcases lyrics to live by: “If it don’t taste good, I don’t have to eat it. If it don’t fit well, I don’t have to wear it. And if it ain’t broke I don’t have to fix it.” Everything Here also highlights the tender ballad featuring lush strings and shimmering percussion, “Sure To Remain,” while “Charlotte” breaks down the walls of negativity and features Paul Wall once again. Franklin shares, “The demo for this one was written in Charlotte, NC after a really rough day on the road. A few outsiders tried to break us down with their negativity, but we were not having it. The end result was us holding our heads up high and proceeding to do what we love most: creating smooth music that makes us and the masses happy!”

Hurricane Harvey hit Houston in August of 2017. Its devastation in many ways are comparable to the effects of Katrina. Despite the media’s dissipating coverage, Houston is still recovering. “After the Storm” is a song that Kam wrote with her friend Lisa E. Harris during Hurricane Harvey. The song features Lyle Divinsky, lead singer for Denver-based funk band, The Motet. The arresting track opens with a percussive heartbeat that stops you in your tracks. Kam explains, “In the days after the storm, the city enforced a mandatory curfew that meant everyone needed to be in their houses by 10pm every night. While visiting Lisa, we lost track of time, and ended up having a mandatory slumber party due to the curfew and ended up writing this song.” The Suffers serve up some sharp-edged funk on the dance-inducing “What You Said,” which is all about communication as the lyrics exclaim “It’s not what you said, its how you said it. It’s not what you did, it’s how you did it!”

The Suffers are family. Spend ten minutes with the band and you know that the ties that bind them go well beyond the music. They are truly a democracy in which every voice is heard and respected and they also love their mamas! On the heart-warming interlude “A Word From Our Mammas,” the band turn the mics on their mothers who are heard confessing their love for their children. The song “Mammas” very well could rival The Intruders seminal tribute to mama’s everywhere. “Bernard’s Interlude” features the baritone of pisces, poet and rapper Bun B. Kam’s idea to feature a few MC’s on the recording was inspired by Kanye West. “I had a vision of getting a bunch of different rappers to do our interludes, similar to what Kanye did on his first few albums with the comedians. Instead of rapping, the vision was to show a different side of their personalities the world hasn’t seen before. For Bun, I knew I wanted him to sing. Bun came in, and killed it on the first take.”

The dub and reggae fueled title track takes us through the travails of a devastating breakup and was penned by Nick Zamora’s brother and former band member Alex, who shared additional guitar duties. The sultry jazz vibes and delightfully unexpected key changes of “You Only Call” serves as a notice to all those who take but don’t give back, while “Won’t Be Here Tomorrow” is a real soul/blues showstopper. Kam Franklin’s raspy and ‘take no prisoners’ vocals tell the story of a woman who has chosen to confront her cheating partner. “It’s a little eerie, but at the same time, it’s empowering,” says Kam. “She knows that he wants to be with her, so the power is in her hands. So, instead of automatically writing him off, she gives him the opportunity to explain why she should stay. This was one of my favorite songs to record on the album due to the fact that we brought in a choir of amazing singers to fill out the song.”

With the release of Everything Here, The Suffers are bound to further endear die-hard fans and make believers of new ones. Jon Durbin says, “I hope our music helps people and that our songs can be healing and inspirational.” Kam Franklin concludes, “We make music for ourselves, but the performances are 100 percent for the people. They are the reason we are on the road. They are the reason we get to eat. They are the reason for what we do. We’d be nothing without them, and it’s something we remind ourselves of every night.”
Venue Information:
9:30 Club
815 V St. NW
Washington, DC, 20001