Cat Power, Phoebe Bridgers
Fri, September 28, 2018
Doors: 5:30 pm / Show: 7:00 pm
Merriweather Post Pavilion
$46.00 - $76.00
This event is all ages
The National has partnered with PLUS1 so that $1 from every ticket will go to organizations bringing equity, dignity, and access to communities who need it.
Please note- there is a 4 ticket limit for this show. Patrons exceeding the ticket limit will have their order cancelled automatically & without notice. No refunds or exchanges.
Attention: Parking at MPP has Changed! Everyone MUST pre-select parking (or decline parking) once tickets have been bought. Once you’ve completed your ticket transaction, you’ll receive a link to select your FREE parking. Please do so in advance before arriving at the show.
Note to ridesharers, walkers, bussers & cyclists: If you have made other transportation arrangements, you don't have to select parking.
Click HERE to view parking for this showhttps://www.impconcerts.com/event/1680839/
Four years have passed since the release of Trouble Will Find Me, and to the outside world it might have seemed like the members of the National spent that long interim working on everything but new National songs. But in September 2014, two months before the band headlined the 20,000-seat O2 Arena in London, Aaron passed along the first set of musical sketches to Matt. “We really didn’t take much of a break,” says Matt. “We started working on this record the minute we finished touring the last one. The only break we took was from the constant pressure we put on each other.”
“We didn’t feel like rushing it,” says Aaron, who produced Sleep Well Beast. “People thought the National went away, but we were just working on ideas.” With members now living in five different cities, the band made an extra effort to get together in the same room – sometimes in studios in upstate New York, or out in Los Angeles. “We’ve always worked on demos together,” explains Bryce. “But this time we were actually in the same physical space doing it.”
“When we all lived in Brooklyn we rarely did these kinds of week-long sessions” says Scott. “This time we got together for long stretches, just to mess around and experiment without deadlines or distractions.”
In February 2015, Aaron and Bryce convened for a series of writing sessions in an old church in Hudson, New York. Then, in the spring of 2016, Aaron completed work on his own residential studio, Long Pond,in upstate New York, where most of the album was recorded. “It’s the first time we have had a space of our own where we can keep all our instruments and work on songs any time, day or night,” says Bryce. Aaron adds, “The space was designed specifically for the band to make this album, with an open plan and no control room so that everyone could be wired up and playing all the time. The idea was to loosen the reigns and formality of our past recording process and allow for experimentation from beginning to end.”
Bryan describes it, “Getting drum sounds in a previously untested room was a seriously fun exercise in trial-and-error learning, in a group setting. Time disappeared, the sun set, and then the massive frog population in Aaron’s pond started singing.”
While the studio served as the home base, the band also sought outside collaboration. As part of a weekend residency at Funkhaus in Berlin, Bryce and Aaron invited guests to plug in and play along with instrumental tracks from the National’s work-in-progress. Bryce says, “We spent a week in East Berlin in this beautiful 1950’s communist-era recording studio with tons of musicians from very different backgrounds, just letting them listen and react to the music we’d been cooking for so many months within the band.” “It was a very interesting way to collect new sounds and process existing ones,” says Aaron. Late in the process the band convened an orchestra in Paris to record Bryce’s orchestrations for the songs before returning to Long Pond to mix the album.
There are songs on Sleep Well Beast that are instantly recognizable as the National, but others are much harder to classify. The lyrics are about “trying to come clean about the things you’d rather not,” says Matt. “Some of it’s about marriage, some of it’s about my relationship with Aaron and the band, some of it’s about train tracks and dancing.” Guitar solos appear like never before, yet on some songs guitars account for only a tiny fraction of the music. “It was important that we genuinely explore new territory and risk falling on our faces, or not make a record at all,” explains Aaron. “This album feels complete to me.”
Cat Power is the stage name of singer/songwriter Chan Marshall. Known for her minimalist style, sparse guitar and piano playing, and breathy vocals she has been places in the genres of Folk rock, indie rock, indie pop, and sadcore. After dropping out of high school, she started performing under the name Cat Power while in Atlanta, backed by musicians Glen Thrasher, Marc Moore, and others. While in Atlanta, Marshall played her first live shows as support to her friends' bands. Her performances are unique and said to stop time. Chan Marshall draws all the attention in the room as she sits at a piano or lays her guitar across her lap, and makes the world stop spinning. As Cat Power, Marshall’s music envelops the room listeners sense the strength of her performance. For 'The Greatest', the brand-new studio album Marshall returned to Memphis, pursuing slinky Hi Records sound of the 70s, famed for its sensuous feel and beguiling rhythms. She got Al Green’s guitarist and songwriting partner Mabon "Teenie" Hodges to play guitar on the whole album. Many songs on this album hearken back to earlier in Cat Power’s career by keeping her simplistic sound while creating a new feel.
Phoebe Bridgers is an American musician from Los Angeles, California.
Merriweather Post Pavilion
10475 Little Patuxent Parkway
Columbia, Maryland, 21044