Merriweather 50th Anniversary Concert featuring Jackson Browne and Willie Nelson & Family
Father John Misty, Special Guest Host Grace Potter
Sat, July 15, 2017
Doors: 4:30 pm / Show: 6:00 pm
Merriweather Post Pavilion
$55.00 - $125.00
This event is all ages
Please note- there is an 8 ticket limit for this show per person. Patrons exceeding the ticket limit will have their order cancelled automatically & without notice. No refunds or exchanges.
Attention: Parking at MPP for 2017 has Changed! All ticketholders NEED to pre-select parking (or decline parking) once tickets have been bought. Once you’ve completed your ticket transaction, you’ll receive an email with link to select your FREE parking. Please do so in advance so you have a parking lot ticket when you arrive for the show.
Note to ridesharers, walkers, bussers, carpoolers & cyclists: If you've made other transportation arrangements, there's no need to select parking.
Please click HERE to select your parking option for this eventhttp://www.impconcerts.com/event/1475822/
His latest release, 2010's Love Is Strange, produced by Browne and Paul Dieter, features longtime friend and musical co-conspirator David Lindley. The two-CD live album-on Browne's label, Inside Recordings-presents highlights from a tour of Spain that he and Lindley played in 2006, in grand concert halls, rock venues, and intimate clubs.
The recordings are "en vivo"-live "con Tino"-with celebrated Spanish percussionist Tino di Geraldo, and guest players and vocalists from Spain. "En vivo con Tino" is somewhat of a play on words; it also means to do something cleverly. The track-list spotlights songs from throughout Browne's career including "I'm Alive," "Take It Easy," "For Everyman," and "Running On Empty." Also featured are two of stringed-instrument virtuoso Lindley's best-known songs, "Mercury Blues" and "El Rayo-X" from the acclaimed 1981 Browne-produced LP of that name.
In liner notes for Love Is Strange, Browne writes of the charmed tour it captures, "It was a flash, as we sometimes used to say in California. A flash in time that went by so effortlessly, and with such pleasure, that I must ask myself if it really happened. But here it is-a CD of some recorded moments, or perhaps a bridge, or a small door, between a life lived mostly in America and time spent with some really good friends in Spain."
This release follows his 2008 studio album Time The Conqueror, also produced by Browne and Paul Dieter. Introducing ten original songs including "Off Of Wonderland," "Just Say Yeah," "The Drums Of War," and "Going Down To Cuba," the album features his longtime band: Kevin McCormick (bass), Mark Goldenberg (guitars), Mauricio Lewak (drums), Jeff Young (keyboards, backing vocals), and newest members, Chavonne Stewart and Alethea Mills, young vocalists he met in 2001 when they were attending Washington Preparatory High School in South Los Angeles, singing in the school choir.
Previously, Browne released two live albums recorded at dates on solo acoustic tours in the U.S., the U.K. and Australia. The GRAMMY®-nominated Jackson Browne - Solo Acoustic, Vol. 1 ('05) and Jackson Browne - Solo Acoustic, Vol. 2 ('08), both on Inside Recordings, feature Browne alternately on piano and guitar, performing a career spanning selection of songs. Both volumes also capture lively exchanges between Jackson and his fans. In his four-star review of Vol. 2 for Rolling Stone, Anthony DeCurtis wrote, "This is Browne at his
best, engaging his audience, his own experiences and the world around him, all in songs that will not lose their resonance any time soon."
That feeling radiates through Vol. 2 and songs including "Something Fine" and "Redneck Friend," (from Browne's '72 self-titled debut), The Naked Ride Home's "Casino Nation" (for which Browne recently produced a video) and the 1982 Top 10 hit "Somebody's Baby," originally featured on the Fast Times At Ridgemont High soundtrack. Highlights from Vol. 1 include the recording debut of "The Birds Of St. Marks," a previously unrecorded song dating back to the 1960s.
Tracing the roots of Browne's career leads back to the mid-60s and Los Angeles and Orange County folk clubs. Born in Germany to American parents, Jackson's family returned to Los Angeles when he was three. Except for a brief period in NYC in the late 1960s - when he was an integral presence in the coffeehouse scene there - he has always lived in Southern California.
Jackson Browne, his debut album, came out on David Geffen's Asylum Records in 1972. Rolling Stone wrote in its original review that, "Jackson Browne's sensibility is romantic in the best sense of the term: his songs are capable of generating a highly charged, compelling atmosphere throughout, and - just as important - of sustaining that pitch in the listener's mind long after they've ended." The now-classic LP introduced ten original songs, including "Rock Me On The Water" and "Jamaica Say You Will," featuring David Crosby on harmony vocals. Crosby and Graham Nash sang on "Doctor My Eyes," the album's first single, which became a #8 hit on Billboard's pop singles chart.
Browne's 1973 follow-up, For Everyman, included "These Days" and "Take It Easy," co-written with Glenn Frey (it been The Eagles' debut single and breakthrough hit the year before). 1974's Late For The Sky - cited by Rolling Stone that year as one of the "100 Best Albums," again in 1997 as one of the "200 Essential Rock Collection Albums" and in 2003 as one of the "500 Greatest Albums Of All Time" - was Browne's masterpiece of lyrical introspection, with classic songs including "Fountain Of Sorrow," "The Late Show" and the title track. 1976's The Pretender also made Rolling Stone's list of the "500 Greatest Albums Of All Time," and was Browne's first to chart in Billboard's Top 10, peaking at #5. On the heels of that success came what stands as Jackson's top-selling album, 1977's 7X platinum, life-on-the-road concept opus, Running On Empty.
Browne's next project was the all-star series of concerts organized by Bonnie Raitt, Graham Nash, John Hall and Jackson in 1979 to benefit MUSE (Musicians United for Safe Energy). In addition to serving on the board of MUSE, Jackson helped edit and compile 1980's 3-LP live album from those shows. No Nukes/The MUSE Concerts for a Non-Nuclear Future featured a line-up including Bruce Springsteen, The Doobie Brothers, Carly Simon, James Taylor, Ry Cooder, Chaka Khan, Peter Tosh, and Tom Petty, among others. The album, which includes Jackson's "Before The Deluge," climbed to #23 on Billboard's pop chart, a major feat for a triple album. Currently, Browne, Raitt and Nash are mobilizing behind Nukefree.org, opposing federal bail-out of the nuclear industry.
Jackson's studio discography continued with 1980's Hold Out, a #1 album, featuring the hits "Boulevard" and "That Girl Could Sing." In 1982, Browne scored a #7 hit with the single "Somebody's Baby," from the Soundtrack for Fast Times at Ridgemont High. 1983's Lawyers In Love also delivered several popular singles, including "Tender Is The Night" and "For A Rocker."
In 1986, Jackson continued to develop his social focus with Lives In The Balance. This topical disc was included in Rolling Stone's 1986 list of 'Best 100 Albums,' and again in their 1990 special issue of '100 Greatest Albums of the 1980s. '1989's World In Motion was a call to action even more explicitly political than its predecessor. Music journalist David Fricke defined the set as, "one of universal truths bound together by a highly personal focus."
I'm Alive evidenced a striking return to the personal and romantic subject matter that characterized Jackson's earlier work. Released in 1993, and widely considered a career highlight, the disc found Jackson revisiting matters of the heart and soul on tracks including "My Problem Is You" and "Sky Blue and Black." On 1996's Looking East,
he addresses various aspects of personal growth and social struggle, and their interconnectedness in the world around him.
2002 marked the release of The Naked Ride Home, Jackson's first suite of all new songs since Looking East. When it came out, MOJO wrote, "For those who still think it's possible that love might be the answer to at least some of our problems, this could be the album of the year."
Jackson Browne's overall body of work was celebrated in 2004 with the release of Elektra-Rhino's 2CD compilation The Very Best of Jackson Browne, featuring 32 songs selected from throughout his career. The one earlier compilation of Jackson's work is Elektra's 1997 single-disc overview The Next Voice You Hear: The Best of Jackson Browne.
As influential and enduring as his music is Browne's legacy as an advocate for social and environmental justice. In 2008, he received the NARM Harry Chapin Humanitarian Award; and, in 2007, he received the Chapin-World Hunger Year Harry Chapin Humanitarian Award. In 2004, Jackson was named an honorary Doctorate of Music by Occidental College in Los Angeles, for "a remarkable musical career that has successfully combined an intensely personal artistry with a broader vision of social justice." In 2002, he was the fourth recipient of the John Steinbeck Award, given to artists whose works exemplify the environmental and social values that were essential to the great California-born author.
With a six-decade career and 200 plus albums, this iconic Texan is the creative genius behind the historic recordings of Crazy, Red Headed Stranger and Stardust. Willie Nelson has earned every conceivable award as a musician and amassed reputable credentials as an author, actor and activist. Released May of 2012 is Heroes, his first album for Legacy Recordings, showcased new songs and deep country classics. The album spent five weeks at #1 on the Americana Radio Chart. Later that year he launched his book, Roll Me Up And Smoke Me When I Die, which landed in the Top 10 on The New York Times's best-seller list. A road journal written in his inimitable, homespun voice, the book is a deeply personal look into the heart and soul of a unique man and one of the greatest artists of our time. In 2013, Willie's albums included April's Let's Face The Music And Dance, an album of deep pop country repertoire classics performed with transformative patented ease by Nelson and Family, his long-time touring and recording ensemble; and October's To All The Girls… which features 18 duets with music's top female singers including Dolly Parton, Mavis Staples, Sheryl Crow, Loretta Lynn, Wynonna Judd, Rosanne Cash, Alison Krauss, Miranda Lambert, Carrie Underwood, Emmylou Harris, Norah Jones, and Shelby Lynne.
Pure Comedy highlights include the title track alongside standouts “Leaving LA,” “Total Entertainment Forever,” “Ballad of the Dying Man,” “When The God Of Love Returns There’ll Be Hell To Pay” and “Things It Would Have Been Helpful to Know Before The Revolution”.
Since 2012, Since 2012, Father John Misty aka Josh Tillman has unexpectedly emerged as a singular (if not undeniably, um, idiosyncratic) voice. Whether by virtue of his lyrics, which routinely defy the presumed polarities of wit and empathy; his live performances which may perhaps be described best as “intimately berzerk," or the infuriating line he seems to occupy between canny and total fraud online or in interviews, Father John Misty has cultivated a rare space for himself in the musical landscape - that of a real enigma. Pure Comedy sees Tillman at the height of these powers: as a lyricist, and equally so a cultural observer - at times bordering on freakishly prescient. Tillman’s bent critiques, bared humanity and gently warped classic songwriting are all here in equal measure and - at 75 minutes - there’s a veritable fuck ton of it. The album navigates themes of progress, technology, fame, the environment, politics, aging, social media, human nature, human connection and his own role in it all with his usual candor, and in terms as timely as they are timeless.
Tillman wrote the majority of Pure Comedy throughout 2015 and recorded all the basic tracking and vocals live to tape (in no more than two takes each) at United Studios (fka the legendary Ocean Way Studios, favored by Frank Sinatra and The Beach Boys) in Los Angeles March 2016.
Pure Comedy was co-produced once again by Josh Tillman and long-time producer Jonathan Wilson; mixed by Tillman, Wilson and Trevor Spencer, and mastered by Bob Ludwig at Gateway Mastering Studios. The album features string, horn and choral arrangements from classical iconoclast Gavin Bryars (Jesus Blood Never Failed Me Yet, Sinking Of The Titanic), with additional contributions from Nico Muhly and Thomas Bartlett.
Heralded as one of today’s best live performers, Grace Potter has played every major music festival from Coachella and Lollapalooza to Bonnaroo and Rock in Rio. She’s had the honor of sharing the stage with artists such as The Rolling Stones, Willie Nelson, Robert Plant, the Allman Brothers, Neil Young, Mavis Staples, and The Roots to name just a
few. Most recently, she was given the honor of performing, along with Sheryl Crow, a tribute to the late Glenn Frey at the Rock and Roll Hall of Fame induction ceremony. For an artist who has built a devoted fan base through her electrifying live show, Potter seems hell-bent on breaking out of the box when it comes to studio work. She refuses to be defined by a single genre. Over the last three years, she has seamlessly transitioned from collaborating with the Flaming Lips for a Tim Burton film, to songwriting and producing for soundtracks and theme songs for film and TV, to multi-platinum, Grammy- nominated country duets with her friend Kenny Chesney, to most recently joining The Rolling Stones on stage for an inspired rendition of “Gimme Shelter.”
In late 2015, at the invitation of The First Lady, Michelle Obama, and TV host Conan O’Brien, Grace performed for the troops in Qatar (where she was joined on stage by the guitar-playing O’Brien). In the fall of 2015, Grace was honored with the Governor’s Award for Excellence in the Arts, her home state of Vermont’s highest honor in the creative sector. Earlier in 2015 Potter received the ASCAP Harry Chapin Vanguard Award by WhyHunger honoring her for her work with several charitable organizations. On August 14th, 2015, Grace released her critically acclaimed solo album, Midnight, to a #17 debut on the Billboard 200 chart.
Midnight was recorded and mixed at Barefoot Studios in Hollywood, CA, with producer Eric Valentine. The core studio band consisted of Potter and Valentine on most of the instruments, with Matt Burr on drums and percussion. Additional contributions came from guitarists Scott Tournet and Benny Yurco and bassist Michael Libramento, as well as former tour- mates and friends singer-songwriter Rayland Baxter, Audra Mae, Noelle Skaggs of Fitz & the Tantrums, and Nick Oliveri of Queens of the Stone Age.
“This album is about embracing life as it comes at you – with all its unexpected twists and turns,” says Potter. “I’ve experienced a huge amount of growth and change in the past two years - both personal and professional, and it can be overwhelming for an artist to find ways to express that in a vacuum. So I tried to strip away the confines of other people’s expectations. I started tapping into some of the deep-running themes that have shaped me into the human I’ve become, and as I went deeper and deeper, I found the results to be insanely satisfying.”
Citing Miles Davis, Dylan, the Beatles, Bowie, Blondie and Beck as prime examples, Potter says she is drawn to artists who make sonic leaps from record to record—a notion she has explored throughout her career.
Potter has released four other studio albums through major label Hollywood Records: 2006’s Nothing But The Water, 2007’s This is Somewhere, 2010’s self-titled album and 2012’s The Lion The Beast The Beat, with the latter two both debuting Top 20 in the U.S. In 2010, Potter was featured on Kenny Chesney’s Grammy nominated, platinum-selling hit, “You and Tequila,” and his 2015 hit, “Wild Child,” which also achieved #1 status on the (billboard) Country chart.
Merriweather Post Pavilion
10475 Little Patuxent Parkway
Columbia, Maryland, 21044